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・ Théodore de Mayerne
・ Théodore Deck
・ Théodore Drouhet
・ Théodore Dubois
・ Théodore Ducos
・ Théodore Duret
・ Théodore Dézamy
・ Théodore Edme Mionnet
・ Théodore Eugène César Ruyssen
・ Théodore Flournoy
・ Théodore Fourmois
・ Théodore Frère
・ Théodore Gardelle
・ Théodore Gosselin
・ Théodore Guérin
Théodore Géricault
・ Théodore Herpin
・ Théodore Holo
・ Théodore Jean Arcand
・ Théodore Juste
・ Théodore Labarre
・ Théodore Lack
・ Théodore Legault
・ Théodore Limperg
・ Théodore Léonard Randriamanga
・ Théodore Maunoir
・ Théodore Monbeig
・ Théodore Monod
・ Théodore Moret
・ Théodore Nouwens


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Théodore Géricault : ウィキペディア英語版
Théodore Géricault

Jean-Louis André Théodore Géricault (; 26 September 1791 – 26 January 1824) was an influential French painter and lithographer, known for ''The Raft of the Medusa'' and other paintings. Although he died young, he was one of the pioneers of the Romantic movement.
==Early life==
Born in Rouen, France, Géricault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Guérin, a rigorous classicist who disapproved of his student's impulsive temperament yet recognized his talent.〔 Géricault soon left the classroom, choosing to study at the Louvre, where from 1810 to 1815 he copied paintings by Rubens, Titian, Velázquez and Rembrandt. During this period at the Louvre he discovered a vitality he found lacking in the prevailing school of Neoclassicism.〔Eitner, p.1〕 Much of his time was spent in Versailles, where he found the stables of the palace open to him, and where he gained his knowledge of the anatomy and action of horses.

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